Description
Cinedeck MX is a rack-mountable, multi-channel, solid-state recording, monitoring and playback system. It is built on the successful technology pioneered by the award-winning Cinedeck EX and Cinedeck RX recording systems, and is packed with the latest features to maximise file-based workflow performance to broadcast and post production facilities.
- Apple ProRes: 4444, 422 (HQ), 422 (Normal), 422 (LT), 422 (Proxy)
- Avid DNxHD: 175/185/220x, 175/185/220, 115/120/145, 36/45 (MXF OP{ Atom or.MOV
- Avid DNx444
- Avid Meridien JFIF (MXF OP Atom)
- CineForm: Filmscan1, Filmscan2, Keying, High, Medium, Low
- Uncompressed 444 (10-bit) or 422 (8 or 10-bit) (MXF Op Atom, Cineform, MOV)
- AVC-Intra class 100/50 (MXF Op Atom)
- XDCAM HD 50/XDCAM EX 35 (MXF Op.1a, MXF Op Atom, MP4 wrapped)
- DVCPRO-HD
- H.264 (AAC Audio and MP4 wrapped)
- DPX
Record
Cinedeck MX has eight removable SSD drives, with in-built redundancy for security of assets, with capture resolutions including HD – 1080i, 1080p, 1080PsF, 720p, HD – 2K, 4K, and SD – PAL/NTSC, 480. It offers mix and match encode, with up to four camera/ channel inputs and multiple encodes per channel. It can also be configured to record stereoscopic 3D material in any of the supported codecs.
Monitoring
Cinedeck MX monitors video in real-time via a high-resolution, 7 inch touchscreen display. It provides users with a comprehensive array of image analysis tools – including edge enhancement for focus assist, clipping, waveform, vectorscope and histogram.
I/O and Connectivity
Cinedeck MX can be deployed in any post-production or broadcast environment, via a wide choice of video, audio, and IT connections including SD, HD, Single and Dual Link, 3G and 3D stereo. It supports realtime up/down/cross conversion, enabling the painless transition to different production formats. For 3D stereo, it captures via HDMI or HD-SDI, and offers the widest variety of codecs for stereoscopic recording in one device, with footage immediately available for editorial and VFX post production.
