Rode VideoMic PRO
- Weekly $60.00
- Weekend $30.00
For longer periods,please contact us at firstname.lastname@example.org
Rental Rate Day Charge Schedule
- 1 Day Rental = 1 Day Charge
- 1 to 3 Day Rental = Charge for each day (3 Day Charge)
- 3 to 7 Day Rental = 3 Day Charge
- Weekend (Saturday / Sunday) = 1.5 Day Charge
- Month Rental (28 Days) = 10 Day Charge
Equipment Pick Up and Drop Off Times
Equipment pick up – Equipment will be ready the day before the rental date between 4pm and 6pm (Monday to Friday) or at the time of opening the day of the rental (8am)
Equipment Return – Equipment must be returned between 8am and 10am the day following the rental date (Monday to Friday) or the Monday following a weekend.
If pick up or drop off times are outside of these hours them additional charges may apply.
Insurance- All equipment rentals require a Certificate of Insurance or Deposit before any item can leave Fusion Cine. Get covered using our Fusion Cine Insurance Program
Please note that we rent equipment across Canada, but currently only facilitate rentals out of our Vancouver location, so rentals outside of this area may require additional shipping time.
The RODE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.
The VideoMic PRO the terminates in a 1/8" stereo mini-jack (dual mono), includes an integrated shock mount, and an integrated foam windscreen.
At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimized, and your recording is focused on the subject in front of the camera.
The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
Easily accessible on the rear face of the microphone are the power, filter, and level controls. In addition to the microphone's native 40Hz-20kHz response, a selectable high-pass filter at 80Hz is available, which will prevent low-end noise such as air conditioners and traffic from being recorded.
Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low-quality audio circuitry.
The microphone uses a standard sized shoe mount for on-camera use and features a 3/8" thread in the base of the mount for easy boom pole mounting.
The VideoMic pro is battery powered and provides over 70 hours recording from a single 9V battery.
The RØDE VideoMic is designed and made in Australia and covered by RØDE Microphones' industry-leading 10-year warranty.
Why did RØDE use a very thin cable on the VideoMic Pro & Stereo VideoMic Pro?
The VideoMic Pro (and Stereo VideoMic Pro) audio cable is designed with an ultra-light, multi-strand shielded dual core cable. This allows for far lower noise transference when compared to the older style cable used in many video microphones currently on the market. The chosen cable is incredibly strong and is rated to several thousand flex cycles, ensuring that the cable lasts a long, long time.
Of course, if this is not enough, the VideoMic Pro comes with our industry-leading 10 year warranty, ensuring complete peace of mind.
We recommend an Alkaline or Lithium battery for the best possible battery life. All RØDE specifications have been carried out using this type of battery. If you use a slightly lower power battery, the mic will work but may not meet our published specification.
The Deadcat VideoMic Pro needs to be fit with the V cutout at the top of the mic, when pulled back the two tabs connect together over the top of the windshield, the microphone windshield stays attached to the microphone when fitting the Deadcat.
No. Unfortunately, previous generations of the VideoMic Pro are incompatible with the new Rycote Lyre onboard shock mounting system.
The RØDE cold shoe adaptor is a standard size adaptor, also known as a universal shoe mount. This standard shoe is suitable for the majority of camera attachments.
If your camera has a different, or custom adaptor, please contact your camera manufacturer for information on converters to fit the universal shoe connection.
Yes, all of our microphones in the VideoMic range have a standard 3/8 thread built into the bottom of the cold shoe mount for connection to a boom pole, mic stand or tripod.
This is usually caused by the function of "Automatic Gain Control" or "AGC" on the camera.
Basically, when the camera cannot sense an audio input signal it automatically increases the gain of the input. It is increased so much that the noise floor in the camera microphone amplifier becomes audible .
The AGC can be disabled on some cameras and it is worth checking with you camera manufacturer for information on this, which can sometimes require a firmware update to the camera.
RØDE have created the VideoMic Pro to help combat this issue, the VideoMic Pro contains a 20dB pre amplifier, boosting the mic signal so that the camera will see a good signal level and not engage its AGC.
We recommend setting your audio levels manually to achieve an optimum signal to noise ratio and disabling the AGC of the camera.
|Acoustic Principle||Line Gradient Condenser|
|Frequency Response||40 Hz - 20 kHz (selectable HPF @80 Hz)|
|Sensitivity||-32 dB re 1 V/Pa (20 mV @ 94 dB SPL) ± 2 dB @ 1 KHz|
|Output Impedance||200 ohms|
|Equivalent Noise||14 dB|
|Maximum Output||+6.9 dBu (@ 1% THD into 1 kOhms)|
|Dynamic Range||120 dB (as per IEC 651)|
|Maximum SPL||134 dB (@ 1 kHz|