Atomos Shogun Inferno

    Rates
  • Daily$150.00
  • Weekly $450.00
  • Weekend $225.00

For longer periods,please contact us at rentals@fusioncine.com

Rental Rules & Information

Rental Rate Day Charge Schedule

  • 1 Day Rental = 1 Day Charge
  • 1 to 3 Day Rental = Charge for each day (3 Day Charge)
  • 3 to 7 Day Rental = 3 Day Charge
  • Weekend (Saturday / Sunday) = 1.5 Day Charge
  • Month Rental (28 Days) = 10 Day Charge

Equipment Pick Up and Drop Off Times

Equipment pick up – Equipment will be ready the day before the rental date between 4pm and 6pm (Monday to Friday) or at the time of opening the day of the rental (8am)

Equipment Return – Equipment must be returned between 8am and 10am the day following the rental date (Monday to Friday) or the Monday following a weekend.

If pick up or drop off times are outside of these hours them additional charges may apply.

Insurance- All equipment rentals require a Certificate of Insurance or Deposit before any item can leave Fusion Cine. Get covered using our Fusion Cine Insurance Program

Total Cost per day: $

The Shogun Inferno from Atomos combines advanced HDR & High brightness monitor technologies with High frame rate & Raw recording capability along with playback ∓ editing functionality that encourages on set collaboration. Simply put it is the most advanced field monitor ∓ most advanced external recorder combined to make mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.

Features

  • The Quad SDI inputs let you connect from cameras with multiple 1.5/3/6/12G SDI outputs without the need for converters.
  • Apart from 4K recording, high frame rate HD from 50p to 240p can be recorded from cameras that output these high frame rates.
  • Record and play out pristine ProRes/DNxHR in 4K resolution and 24/25/30/50/60p frame rates.
  • Capture the RAW output from Sony FS5/FS7/FS700 and Canon C300MKII/C500 over SDI, recording to either ProRes, DNxHR or CDNG.
  • Create playlists easily, either entire clips or tagged parts of clips, for playback on the unit or out to a larger screen.
  • Our patent pending Continuous power system automatically swaps to the second battery when power is low for uninterrupted recording in the field.
  • AtomHDR lets you shoot with the high brightness range of your camera’s Log profile and preview the final, vibrant post production HDR result.
  • For Standard Dynamic Range (SDR) shooting ramp the brightness slider up to 1500 nit for hood-free outdoor monitoring.
  • Apply a custom look to SDR footage by uploading an applying “.cube” 3D LUT’s. View in full/half mode on screen, output it to a monitor or record into the footage.
  • Record to visually lossless Apple ProRes or AVID DNxHD as an edit friendly, visually lossless industry benchmark independent of the camera brand used.
  • Take PQ out into larger HDR compatible larger screens or feed HDR from your NLE into the PQ input for HDR grading using your Atomos product.
Weight
Without batteries & media 709g / 25.0oz
With batteries & media 1153g / 40.7oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power
Operating power 10 - 27W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) -
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system Change batteries without losing power Loop batteries continuously
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube le format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
PQ in/out
In = Post   Out = Monitor
Yes / Yes
Video input/loop out
HDMI 1 x HDMI (2.0)
SDI Quad link 4 x 3G SDI or up to 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video output (play out)
HDMI 1 x HDMI (2.0)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported loop out formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Video signal conversion
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & frame rates (record & playback)
Raw to CDNG (Record only)* Codecs Cinema DNG for supported cameras (Sony FS5/FS7/
FS700, Canon C300MKII, C500, Panasonic Varicam
RAW*)

Frame rates 4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Raw to ProRes / DNxHR Codecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
Video to ProRes / DNxHR Codecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p
Onboard processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Remote start/stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave
Playback
Playlist Yes
Genlock / LTC Yes / Yes
Playback
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media
(Approved List Only)
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories included Shogun Inferno unit, Custom yellow HPRC case,
Control cable, XLR breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger & DC power), HDR sunhood
Optional extras Atomos HDMI cable, X-Rite calibration

What's Included

  • Shogun Inferno unit
  • Custom yellow HPRC case
  • Control cable
  • XLR breakout cable
  • 2x NP-F750 5200mAh batteries
  • Fast battery charger
  • SATA 3/2 to USB 3/2 HDD/SSD docking station
  • DC to D-Tap coiled cable
  • Master Caddy II x 5
  • 12V-3A AC adapter x 2 (Fast charger & DC power)
  • HDR sunhood